What do you get when you combine a
gender-swapped 60’s pulp sci-fi novel with a young adult book about teen
motherhood and a John Hughes film? You
get The Ever-Expanding Universe series by Martin Leicht and Isla Neal. This review is the first two books in the series, entitled "Mothership" and “A
Stranger Thing.” It is a hilariously fun
read with a great deal of quirkiness and wit, though it is not without its pitfalls.
3.5/5 Shiny Ray Guns
Gordon’s Ratings Guide:
1/5
- Blech! Don't bother
2/5
- Nothing special
3/5
- Entertaining and worth a read
4/5
- Amazing. You should definitely read.
5/5
- Truly an outstanding title. MUST read!
Read an in depth review after the jump.
“A Stranger Thing” is the second
book in “The Ever-Expanding Universe” series by Martin Leicht and Isla Neal and
picks up immediately after the events of “Mothership.” As a result of this, there may be some things deemed spoilery in this review, though I will do my best to avoid any serious breaches
on that front. That said, you have been
warned!
The Ever-Expanding Universe is a
fun setting for a series. It takes all
the amazingly campy and hilarious aspects of pulp sci-fi - from the chromed out
ray guns to flawlessly beautiful alien races and mixes them with the witty
banter and drama of a John Hughes film. The
twist is found in the gender swapped roles: our protagonist isn't a buff and
confident man, rippling with muscles and bravery while sporting an immaculate
blonde pompadour. Instead our protagonist
is a quirky and witty teen girl who is first pregnant (in the first book,
“Mothership”) and then a teen mother (in “A Stranger Thing”) of an alien-human
hybrid. Instead of our protagonist
saving the galaxy for a race of buxom and gorgeous female aliens from the
threat of yet another race of buxom and gorgeous female aliens, our protagonist
is stuck in the middle of a race war between two buff and hunky male alien
races. This makes for a setting that is
just as ridiculous and fun as the original pulp sci-fi formula, but infinitely
more accessible to non-male readers. Adding in the witty banter, sarcasm, and
drama from “The Breakfast Club” and more-than-a-little “Pretty in Pink” and you
have The Ever Expanding Universe.
Our protagonist is played by Elvie
Nara, a plucky and sassy heroine who, as a result of a one-night tryst with
local hunk-cum-space-alien, Cole Archer, has ended up pregnant. She is competent, brave, and smart, yet not
without her teen dramas and concerns. Cole
Archer is a buffoon of a character, all brawn, looks, and no brain. They both play well against one another, with
Elvie’s whip-smart thoughts, jokes, and insults contrasting nicely with Cole’s
sheer well-meaning idiocy. Along the
ride with Elvie is her ever-loyal sidekick, Donald, who is more often referred
to as “Ducky.” Ducky, just like his
namesake from “Pretty in Pink,” is steadfast in his support of Elvie – even
when that support is to his own detriment.
We also have Elvie’s dad who is an absent-minded genius and has a habit
of over planning. Conspiring against,
sometimes for, and always attempting to control Elvie and the human race are
the Almiri and the Jin-Kai. The Almiri
and the Jin-Kai are both alien races who require females from another species
in order to reproduce. Every child born
in such a pairing results in a purely Almiri or Jin-Kai child, always male,
without any residual trace of the host’s DNA.
“We come from Mars, we need your women.”
Yeah, kinda like that. Not a very
happy arrangement, to be sure . . . That
said, the Almiri aren’t ALL bad, though it is tough to really like an alien
race that sneakily uses you to propagate their species. They have endeavored to assist humanity and heighten
our science and artistic endeavors, doing so by living among us and posing as
human. Mozart, James Dean, Einstein . .
. all Almiri. The Jin-Kai, on the other
hand, just want to breed until the human race is extinct.
The
characters are fun and engaging, even if they are somewhat flat in places. The story, much like the John Hughes
inspiration is buoyed by fresh and quick dialog. Sometimes the slang (both created by the authors and real-world) can be a bit cringe worthy in its clumsy use; but, one quickly becomes inoculated to this failing. The series' humor and quick pace extends beyond the dialog and into the
narrative, as well, resulting in a comfy and funny read. The plot itself is rather slim with rather
predictable highs and lows; which to be perfectly honest, is quite fitting with
the pulp sci-fi inspiration. Though the
general flow of the story is rather predictable, there are many smaller
surprises along the way that will keep you engaged, should the dialog fail
you. Those twists get larger as the series progresses, coming hard and fast in the second book, some are anticipated and some really smack you in the gut . . . the final few had my blood boiling.
One thing Leicht and Neal really
seem to have a handle on is pacing. Once
the narrative gets rolling it barely pauses for a breath, each chapter ending
on a cliff hanger, leaving you tearing through the books. The action is quickly paced, yet fluid. Whether the characters are fleeing from a pod of hungry orca or battling alien boarding parties and strange alien beasts, the
reader feels right in the thick of it.
When the pacing or the action does slow a touch, the humor and dry wit
does more than enough to help buoy any flagging interest.
And now you’re asking, “Okay, this
is all well and good; but, why are you reviewing a YA novel for an adult blog?” Well, a book is a book. And a fun book is fun regardless of the age
group it was written for, which brings me to my next concern with this series:
What age group IS it written for? Here we
have a series steeped heavily in the tropes and feel of 60’s and 70’s pulp
sci-fi along with character interaction and humor from 80’s teen movies. This makes me think this book is ideally read
by people born in the late seventies and early 80’s. The kids who grew up singing along with Queen
while watching “Flash Gordon” and “Mystery Science Theater 3000,” the girls who
wanted to be Molly Ringwald and had
crushes on Judd Nelson and the guys who wanted to be like Emilio Estevez or
River Phoenix. Basically, we’re talking
people in their thirties. So, why is it
a teen novel? Well, campy is making a
comeback and smart and witty teen banter is back in a big way thanks to Young Adult
authors like John Green. In addition, John
Hughes films seem to capture more than the zeitgeist of their time, but also
the realities of teen life and drama in any generation. So,
in the end I think this is a cross-over book.
It is a book that can be read and enjoyed by teens as well as adults. We’ll both appreciate different
things out of it and laugh uproariously.
It is a fun series that illustrates well that there are no age
boundaries to a fun reading experience.
One thing that DOES make this book
perfect for the Young Adult demographic is the fact that the heroine is
unflinchingly, unabashedly, and unapologetically pregnant and then a
mother. There are literally tons of YA
books that feature a teen mother or mother-to-be; but, so many of these titles
are overly moralizing, shaming, or downright depressing. Elvie embraces her situation and LIVES
LIFE! It doesn't hold her back or hamper
her in any way. She kicks butt with the
best of them and continues to do whatever it is she may want to pursue. She fears what it means to be a mother, but
she doesn't flinch from that responsibility, nor does it subsume her
personality. Her friends and family are
supportive and never nay-say or cluck their tongues in quiet disapproval. All-in all, Elvie is a representation of teen
motherhood that we could use more of.
The simple reality is teen pregnancy happens and we should not denigrate these
women or shame them for “such a stupid mistake.” Leicht and Neal get this right and they
should be lauded for their efforts.
All-in all, the series is extremely
entertaining and absolutely hilarious. I
would suggest it to anyone, teen or adult, who loves cheesy vintage sci-fi and “The Breakfast
Club” as well those just looking for a darn good time.
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